The amps' in-built passive EQ's by far weren't powerful enough to alter the sound in a way that they could dial in too much bass and treble (except when outboard EQ's were used)īut with the sound sculpting possibilities of modern profiling and modeling clearly the guitarist himself has become the weakest link in sound design (if he doesn't deal with the F-M- phenomenon). the amps had to be turned up to levels where the Fletcher- Munson curve is a relatively straight line (greater than 85 dB SPL)Ģ. In pre- profiler/modeller times a guitarist couldn't make his Marshall or Vox really sound bad because:ġ. Producers (and sound engineers as well for that matter) are professional enough to NOT dial in too much bass and treble when working with SPL smaller than 80 dB. I only hear guitarists talk about it".įOH mixers never deal with F-M it because they are working under SPL levels where the Fletcher- Munson curve is at its straightest. I agree with everything except: "The fletcher munson curve is not an issue at all, as it happens to everything we hear every day, not just our guitar amp. If the result does not sound good, then another rig/profile might fit better. If then cuts through the mix, but too much bass, turn down the bass in the Monitor EQ.Ĭonsider to switch of that graphic eq in the signal flow. Turn up the Power Amp Boost on the last page of the output menu. With EXPOSE 2, you can deliver the best listening experience and. We want you to catch these issues before it's too late. So many tracks get distributed with a poor EQ balance, true peak clipping, over-compression, phase issues, and more. The fletcher munson curve is not an issue at all, as it happens to everything we hear every day, not just our guitar amp. EXPOSE 2 is an audio quality control application that helps you identify issues with your music. Guys, you are really complicating things.
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